Best Seinfeld Episodes to Determine Which Character Wins a Deathmatch

Wind sweeps across a desolate and rocky plane – a battlefield strewn with rubble and the long-crumbled remains of structures, dotted with bones and decaying remains. Four people stand across from one another, fists clenched, hearts racing. How they got there and why they must fight no longer matter; all that matters is that only one may triumph. Jerry Seinfeld. George Costanza. Elaine Benes. Cosmo Kramer. Who will win? Who has it in them to spill the blood of their friends? Who is to die? These seven classic, hilarious episodes of Seinfeld hold the key, revealing which of these four has the intellect, agility, tenacity, and sheer power of will to survive this deadly feat of strength. In the fight about nothing, for the show about nothing, who will return their own friends to nothing?

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1. “The Bubble Boy” – Season 4, Episode 7

Our four leads encounter a man in a diner who says his son, a boy with an immune deficiency, is a big fan of Jerry’s comedy, right before they leave for a weekend at the family cabin of George’s girlfriend, Susan. The group decides to stop and let the boy meet Jerry while on their way. However, George drives too fast, causing Jerry and Elaine to get lost, leaving George and Susan stuck at the house of the immunocompromised “bubble boy.”

In this episode we see George, Jerry, and Kramer each succeed in different types of battle. George, stuck playing Trivial Pursuit against the arrogant and condescending bubble boy, uses his cunning, wit, and skill of subterfuge to win the game by a technicality, as the trivia card is misprinted with “Moops” instead of Moors. Meanwhile, at a nearby Diner, Jerry is willing to fight a waitress over a picture he signed, which Elaine has made him self-conscious about. This proves Jerry is willing the cross boundaries of contemporary chivalry and honor. Finally, Kramer, by pure accident, commits an act of arson when he leaves his lit cigar near paper in the cabin, burning down the whole structure. Could it be that Kramer has some innate destructive powers inside himself that even he is unaware of?

2. “The English Patient” – Season 8, Episode 17

While visiting his parents at their retirement community in Florida, Jerry defeats Izzy Mandelbaum, an elderly man revered in the community for his strength, in a weightlifting contest, causing Izzy to throw his back out. However, Jerry does not stop there, later besting Mandelbaum’s father and son in additional feats of strength. Jerry Seinfeld proves he has strength greater than that of elderly men, vital information.

Also in this episode, Elaine is sent to Tunisia, a punishment she must serve for disliking the Oscar-winning film The English Patient. However, while en route, her plane is hijacked by Dominican freedom fighters. The episode ends on this scene, the next episode not commenting on how Elaine or the plane escaped the hijackers. Using deductive logic, we can only assume that Elaine singlehandedly stopped the multiple armed assailants on the plane. One must then assume Elaine has fighting abilities akin to Liam Neeson’s air martial character in the film Non-Stop. Clearly, Elaine is a skilled and dangerous combatant.

3. “The Bottle Deposit” – Season 7, Episodes 21 and 22

Kramer and his nefarious postal worker friend, Newman, hatch a scheme to haul a load of cans and bottles to Michigan, where they pay 10 cents for their return, as opposed to New York’s 5 cents, using the truck of mail Newman must transport to said state. However, when Jerry’s car is stolen by an overzealous mechanic, Kramer and Newman eschew their Michigan route to give chase.

In this dilemma, two moments of survival instincts and moral character reveal themselves. One, Jerry is weak and gullible enough to allow his own car to be stolen by a mechanic, flaws which cast doubt on his faculties. But the more important moment in this double episode is Kramer’s willingness to sacrifice in the pursuit of victory. As the mail truck slows, failing to keep up with Jerry’s stolen car, Kramer discards excess weight in the truck by not only throwing out mail and his prized bottles and cans, but even his own friend, Newman. Throughout the nine seasons of Seinfeld, it becomes well established that Newman is a friend as important to Kramer as Jerry, George, and Elaine. However, in the face of possible defeat, Kramer is willing to sacrifice his closest friend to accomplish his task. Here we find a man with no apprehension toward cold, logical cruelty when it behooves him. Unfortunately, it is all for naught, as the mail truck breaks down after the deranged mechanic attacks it with impromptu projectiles – the golf clubs of former president John F. Kennedy.

4. “The Fire” – Season 5, Episode 20

George Costanza is a man of many qualities. He’s cunning, deceitful, bald, often unemployed, and has even lived with his parents as an adult. However, above all, George is selfish – an attribute which would serve him well in a deathmatch. Selfishness is at the core of who George is, as shown in this very episode. While attending his girlfriend’s son’s birthday party, a fire breaks out, and George does not hesitate in making an escape, pushing everyone out of his way, including his girlfriend’s son, mother, and even an elderly woman.

George puts himself first, a dishonor that a warrior seeking to survive a deathmatch must accept. However, does George act selfishly out of self-protection, or mere cowardice? At the end of this episode, George causes mayhem when he screams and runs away at the sight of a prop gun held by a comic at Jerry’s comedy show. Fire is a primal element that can easily conquer even the strongest champion, but a lone gun should be no match for a warrior. George may have an instinct of self-preservation, but when in an unavoidable fight to the death there’s nowhere to run.

5. “The Soup Nazi” – Season 7, Episode 6

Perhaps one of the most beloved side characters of Seinfeld is our heros' most fearsome antagonists: the eponymous Soup Nazi, a genius of soup-making with a heart of ice and no leniency for those who defy him. Clearly, how our leads react to such a tyrant would reveal their true character. So, who bows to the ladle and who usurps the regime?

Jerry and George kowtow to the Soup Nazi, loving his delectable creations too much to fight back. Kramer, who, in a side plot, is intimidated into allowing the theft of Elaine’s wardrobe he swore to protect, befriends the tyrant. All three men, in one way or another, show their cowardice in being unwilling to stand up for themselves. However, Elaine makes a stand against the unjust authority, resulting in her ban from the Soup Nazi’s restaurant. Later, Kramer gives Elaine a new armoire, which he procured from the Soup Nazi, who expresses he would have destroyed the piece of furniture had he known it was going to Elaine. Enraged at this insult, Elaine, upon finding the Soup Nazi’s secret soup recipes hidden in the old armoire, drives the Nazi out of business. Elaine is triumphant, her courage empowering her, fortune shining upon her, villain deposed, proclaiming “I can make my own soup … You’re through, Soup Nazi. Next!”

6. “The Subway” – Season 3, Episode 13

As our four leads take to the New York subway for transportation, we are subject to two displays of weakness. George, succumbing to the temptations of a seductress, follows the woman back to her hotel room. After allowing the woman to tie him up, assuming it is for fetish purposes, the woman instead robs George, but dissatisfied with his lack of cash, steals his clothes as well. Because of this, George misses his job interview and must walk back through the city wearing nothing but a bedsheet, displaying weakness of will and an ability to be bested. Kramer, after striking good fortune with a last-minute horse race bet, is nearly robbed of his winnings on the subway by a fellow gambler. Even though he is rescued by a cop, Kramer was weak in his efforts to fight the thief, which does not bode well for his combat abilities. It seems fitting that a subterranean mode of transportation would lead two characters into brushes with the underworld.

7. “The Invitations” – Season 7, Episode 24

TV Guide once ranked this episode’s ending as number 8 on a list of the “Top 100 Most Unexpected Moments in TV History,” and it’s for good reason, as this episode has one of our main four characters directly responsible for a death. However, before said death, there is an important moment for our assessment of Jerry, as he absentmindedly tries to cross a street, nearly resulting in a car hitting him. Jerry is only saved by a woman passing by who pulls him back, out of the car’s path. Clearly, Jerry is prone to distraction, lacking a level of awareness that could prove fatal in our battle of champions.

We’ve discussed the strengths and flaws of George Costanza at length already, but it would be remiss to not mention that, going into this deathmatch, he is the only one of the four that we know is directly responsible for a death. With his wedding to fiancé Susan imminent, much to his regret and dismay, George begrudgingly picks out invitations for the ceremony. After George selects the cheapest invitations/envelopes available, Susan assumes the task of filling them out, licking the envelopes sealed, and sending the letters off. However, as George and the audience discover after Susan is suddenly rushed to the hospital, the cheap envelopes contained a toxic adhesive that, when ingested, is fatal. Susan dies at the unintentional, yet direct hand of her groom to be, George Costanza (who is none too upset about his freedom from impending marriage). While not planned or deliberate, George’s frugal nature proved to be deadly, creating a familiarity with killing that may aid him in battle.

Conclusion

Seven episodes revisited, four characters judged, the answer to which would survive the deathmatch contained therein, among the strength and flaws of each. So, who survives? Who stands atop the mangled corpses of their friends, the lone victor? The answer surprised even me, as going into writing this piece I had not come to a definite answer. In my mind, I assumed possibly George or Kramer would be the winner, one deceitful and selfish, the other unknowingly destructive and chaotic, things which I presumed meant they would be most likely to succeed in battle. But, what does the show truly tell us?

Much like people deciding who their favorite Seinfeld character is, in terms of the deathmatch Jerry was out from the start. He’s an ineffectual man-child – simply a vessel for the hijinks of his friends. In the above episodes, as well as the rest of the series, Jerry is repeatedly shown to be conflict-averse, only coming to blows over the most menial, pointless topics of contention. Jerry proves time and time again he can only succeed when he is given the advantage, be it him “outperforming” a bunch of old guys in lifting weights, or, with the Season 6 episode “The Race,” getting an early start at a simple footrace. Jerry dies, probably first, probably violently, being the last to accept there must be combat, resulting in the Death of “Superman.”

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George, for all his cunning, lies, and self-interest, is not a warrior. When the going gets tough, George Costanza gets going – in that he runs away. For every bubble boy defeated, false identity created, complex lie constructed, or fiancé accidentally killed, there are ten times George has given up or broken down in fear. George is not the knight in armor, out on the battlefield spilling blood, he’s the Machiavellian advisor to the king, playing power games and tricking others. However, in a four-way deathmatch, there’s not much use for palace—or in George’s case, apartment/dating/job—intrigue and subterfuge. George dies, running, kicking, and screaming till the bitter end, but he cannot escape death.

Kramer is hard to pin down precisely, as his biggest strength is his chaotic, seemingly random powers of chance, which have been both a blessing and a curse. There’s a distinct chance that, somehow, without even trying, Kramer decapitates his three friends immediately in battle, or some similar, completely unpredictable scenario. However, going purely off what we know from the show, and these seven episodes in particular, Kramer’s karmic chance of domination is simply too unreliable to count on. When it comes to the K-Man’s actual abilities, he’s often clumsy, easily discouraged (just look at his many fleeting schemes and fads), and overall unproductive. Perhaps Cosmo is secretly a vessel of the universe’s chaotic energy, wielding a destructive power unbeknownst to him, but he’s simply too unpredictable to put my faith in. Most likely Kramer somehow ends up accidentally injuring, if not killing himself.

So… it's Elaine? I mean, I’ve always liked Elaine, but she’s winning the deathmatch? I’ve always envied her “devil-may-care” attitude, spunky sense of fashion, and witty retorts to her idiotic male friends, but I didn’t think she would be the winner. Is it really her?

Yes. It’s Elaine. Elaine would win the blood sport and here’s why. What are Elaine’s classic character traits and flaws? She’s independent, cynical in the face of opposition, crass, strong-willed, and determined to a fault. Elaine stands up to the Soup Nazi. Elaine seemingly stopped or, at the very least, survived a plane hijacking. Elaine survived being in a stalled subway car with the power out, fought her way to an airplane bathroom, overcame a guy exposing himself in front of her, and threw George’s toupee out the window. Elaine is the most independent, confident, aggressive, and strong-willed of our four leads, and thus she will succeed in battle. She triumphs the most in the show, stands up for herself the most, and is the least cowardly of the four. Frank Costanza may think she's supercilious, but it seems she's earned it. Elaine punches, hacks, slashes, and little kicks her way to victory, ridding herself of her doofus friends in the process. Sure, it’ll be difficult, but it must be done. Elaine wins the deathmatch. Elaine is master of her domain. Cue Freeze Frame. Cue Seinfeld theme. Roll Credits.

All nine seasons of Seinfeld begin streaming on Netflix on October 1st.

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The Book of Boba Fett Release Date Revealed on Disney+

Disney+ has finally confirmed a release date for the first season of The Book of Boba Fett, a spinoff from The Mandalorian that sees the titular bounty hunter (played by Temuera Morrison) returning to the planet of Tatooine to assert his authority over the territory that was formerly ruled by the Hutt crime family. Official poster art was also revealed for the upcoming series, which will premiere December 29 exclusively on Disney+.

So far, we know that The Book of Boba Fett will reveal some backstory for the character whose whereabouts have been largely unknown since he fell into the Sarlacc pit at the beginning of Return of the Jedi. As Morrison himself revealed in an interview, “Well, we can’t say too much, but we’re going to see his past and where he’s been… Somebody pointed out he’s been kind of stuck in this one place, and now’s the time to actually go back in time and check out his journey and find out more about him.”

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Earlier this month, Collider also spoke to director Robert Rodriguez, who directed Boba Fett's return to the Star Wars galaxy on The Mandalorian Season 2 as well as several episodes of The Book of Boba Fett alongside Jon Favreau, Bryce Dallas Howard, and Dave Filoni. Of course, Rodriguez couldn't say much, but what he did tease should have fans excited:

“Can't say anything about it at all right now, but it's coming out in December. Wait until you see what's coming. It's going to blow your mind. That's all I can say. That's all I can say. I can talk it up all I want, because I know it over delivers. It way over delivers. So you're going to be, people are going to be so pumped up when they see it.”

The Book of Boba Fett stars Morrison, as well as Ming-Na Wen as Fennec Shand. Favreau, Filoni, Rodriguez, Kathleen Kennedy, and Colin Wilson are executive producers. Karen Gilchrist and Carrie Beck serve as co-executive producers, with John Bartnicki producing and John Hampian as co-producer.

The Book of Boba Fett will premiere on December 29 exclusively on Disney+. Check out the official synopsis and poster below:

“The Book of Boba Fett,” a thrilling Star Wars adventure, finds legendary bounty hunter Boba Fett and mercenary Fennec Shand navigating the Galaxy’s underworld when they return to the sands of Tatooine to stake their claim on the territory once ruled by Jabba the Hutt and his crime syndicate.

KEEP READING: Exclusive: Robert Rodriguez Teases ‘The Book of Boba Fett’: “It’s Going to Blow Your Mind”

The Blackcoat’s Daughter Ending Explained

Editor's Note: The following contains spoilers for The Blackcoat's DaughterThe Blackcoat’s Daughter didn’t get the audience it deserved when it was first released. Legally Blonde’s “Dorky David” himself, Osgood Perkins, crafted a terrifying modern horror film that sat on the shelf for a year and a half after its debut at the Toronto International Film Festival. Eventually picked up in joint distribution by A24 and DirecTV, The Blackcoat’s Daughter went virtually unpromoted during its rollout on DirecTV’s pay-per-view service and a very limited theatrical release. Thankfully, word-of-mouth eventually spread among horror buffs, and more viewers were exposed to the film’s fascinating supernatural mysteries.

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The Blackcoat’s Daughter explores how the dehumanizing impacts of isolation and religious oppression torment a trio of adolescent girls. Each attend Bramford Academy, a private upper class New York Catholic Boarding School. The young scholars are left to their own devices and are abandoned by their educational superiors when no parents come to pick them up during a week-long break from classes during the chilly winter. Each of the girls encounter strange and shocking dangers when they’re abandoned, but the ending may confuse some viewers as to how their paths line up.

The Blackcoat’s Daughter unfolds across three separate storylines from the perspectives of each of the characters. While they appear to be occurring simultaneously due to the film’s intercut editing, each perspective explores a different point in the timeline that leads into the other section. Although it's the last storyline in the film’s runtime, the segment following the freshman Kat (Kiernan Shipka) is the first chronologically. In the week ahead of their winter break, Kat experiences sinister phone calls from a demonic voice and suffers from frightening premonitions of her parents’ impending death. She’s sharply commanded by the threatening voice to kill those that are left behind, and her terror escalates when her hushed caretakers confirm that her parents did indeed perish in an unexplained occurrence. Kat grows isolated, and doesn’t confide her visions to the nuns who live full time at the Academy.

In the segment that appears first, Kat and senior student Rose (Lucy Boynton) are forced to become roommates as they watch their classmates leave with their respective guardians. Their only company are the nuns, but Rose also has her reasons for staying put. Rose fears that she’s pregnant and gave her parents the wrong dates for holiday break in order to avoid their potential wrath and find a solution. Rose mostly ignores her peculiar young classmate, briefly eluding her in order to make plans with her boyfriend Rick (Peter Gray) and tell him about the unexpected pregnancy.

In the meantime, Kat’s connection with the demonic horned beast haunting her dreams grows stronger. She lies on the floor of a boiler room hoping to reach the creature when Rose returns from the conversation with Rick. Kat’s only explanation to Rose’s frantic questioning is that she’s been left alone because her parents are dead. Rose is unnerved by her roommate’s ominous behavior, particularly as Kat’s dreams cause her to violently shriek and writhe in her sleep. Kat’s strength diminishes as she succumbs to the suggestions of her demonic tormentor.

After Kat has an abrupt outburst during the girls’ breakfast with the nuns, Rose is ordered to shovel a snowy driveway as Headmaster Gordon (Peter James Haworth) returns to the academy and the nuns desperately try to deal with the situation. In Rose’s absence, Kat finally fulfils the commands of the horned creature and kills the two nuns that joined them at breakfast. She tracks Rose outside and chases her throughout the building, eventually stabbing her to death. The tragic irony is that as she’s pursued, Rose has her period; she was not pregnant, and didn’t have to fear going home at all. Kat beheads her nonetheless, in a scene that Gordon discovers upon his arrival.

Gordon gathers the police to search the building, and they find Kat in an increased state of madness. Kat now openly worships Satan and surrounds herself with the three decapitated heads of her victims in an ominous ritual. She’s eventually subdued after the police shoot her, and confined to an isolated cell in a mental hospital. Although an attempted exorcism is performed, Kat can’t let go of her connection with the figure in her hallucinations. Following the exorcism, she pleads for the only presence that’s ever talked to her to stay with her.

The Blackcoat’s Daughter is cut between the duelling perspectives of Kat and Rose, and it may seem more confusing due to the additional segments featuring a third girl Joan (Emma Roberts). While it appears that Joan’s exploits are occurring at the same time, they actually take place nine years later. “Joan” is not her real name; Joan is an older Kat, who took on a fake name after escaping the mental institution and murdering a woman, stealing her identity and name.

After her escape, Joan drifts alone in the snowy weather when the older couple Bill (James Remar) and Linda (Lauren Holly) offer her a ride back to the academy. When they invite Joan to their quiet home, Bill and Linda are revealed to be Rose’s parents through family pictures. Mourning the anniversary of their daughter’s death, they promise to return to Bramford, as they do every year as a tribute to their departed child. Joan sees this as the opportunity that she’s been waiting for, as she’s searched for a path back to Bramford in order to unite with the demon in the boiler room. Upon their arrival, she murders and beheads Bill and Linda, just as she did their daughter nearly a decade prior. The ultimate tragic irony is that upon wandering through the halls of the abandoned school, Joan finds that the boiler room is now inactive and she will be unable to use it to contact the demon. Once again, she’s left completely alone. Her bitter tears conclude the tragic film.

The Blackcoat’s Daughter analyzes the impact that abandonment has on the psyche. Kat isn’t given any guidance from her classmates, caretakers, or educators, and she’s forced to deal with the possessive forces without anyone to guide her. Not only does Kat’s solitude make her susceptible to the influence of evil, but it forces her to bond with it. Even if Kat doesn’t understand what her responsibilities are or what the spirit will do to her body and consciousness, she’s drawn back to her abuser as she grows older. Although not as extreme, Rose’s fears about confronting her parents force her to inadvertently put herself in harm’s way. The seemingly joyous memories that Joan discovers in her parents’ home depict happy family memories that Rose never shared with Kat. In her time of crisis following the suspected pregnancy, Rose explains to Rick that her parents offer her no solace.

The twisty narrative of The Blackcoat’s Daughter intertwines this commentary on how the boarding school’s suppressive practices force these girls to lose their identities when they’re literally cut off from interactions. The creeping tension is exemplified by Perkins’s emphasis on stark, menacing visuals that hint at the secrets hidden within the halls of the learning environment. It’s a spooky, tightly wound debut feature from Perkins, who returned to the horror genre with the dark fantasy Gretel & Hansel. Although initially disorienting with its nonlinear narrative, it's a mystery where the internal logic checks out.

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Dept. H Movie Moving Forward at Netflix With Director Alice Waddington

It has been announced that Alice Waddington is set to direct the upcoming live-action Netflix adaptation of the popular comic book series Dept. H. Originally reported by Deadline, Waddington, who recently made her directorial debut at 2019's Sundance Film Festival with Paradise Hills, will be directing the adaptation of the well-received comic series.

Screenwriter of the film adaptation of The Maze Runner, T.S Nowlin, will be writing the script with Mike Richardson, Keith Goldberg, and Paul Schwake of Dark Horse Entertainment set to produce.

Dept. H is originally a comic book series that began in 2016 written by and illustrated by Matt Kindt and colored by Sharlene Kindt. The series is about the mystery surrounding the death of a scientist aboard a deep-sea research facility. The scientist's daughter is sent underwater to investigate the death of her father. It is a race against the clock for her attempts to solve the murder and the true purpose of the station along the way.

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This film is part of the first-look deal between Netflix and Dark Horse Entertainment, the team behind publishing the comics. This deal means that Netflix gets the first opportunity to look at a project and get the chance to put in the first offers to purchase or distribute the project. The two companies have had success in the past, with the most notable one as of late being the adaptation of The Umbrella Academy, another comic book series published by Dark Horse with its third season currently in production.

Other project collaborations between Netflix and Dark Horse include Jonas Åkerlund’s feature Polar, starring Mads Mikkelsen as well as the upcoming film adaptations of Mystery Girl (directed by McG, starring Tiffany Haddish) and Lady Killer (being written by Diablo Cody, starring and being produced by Blake Lively).

There has been no release window or casting announcement made as of this writing for the upcoming Dept. H series, so stay tuned to Collider for more news.

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Celebrating One Year of the Great American Outdoors Act

One year ago today, the US House of Representatives voted overwhelmingly in support of the Great American Outdoors Act, marking our country’s biggest conservation funding victory in decades. The bill became law a few weeks later, permanently providing dedicated funding for the Land & Water Conservation Fund, which helps communities across the continent protect and improve access to public outdoor spaces large and small.

Screenshot GAOA House Vote.jpg

As we look back at that major bipartisan victory, we’re looking forward to finally celebrating together – in person! Outside! – with many of our partners in the national Land & Water Conservation Fund Coalition, and with our collaborators on a Washington state project close to our hearts: protecting the Taneum watershed.

The Taneum project seeks to permanently protect 12,000 acres of irreplaceable Central Cascades forestland near the headwaters of the Yakima River. An exemplary large-scale LWCF project, reconnecting the “checkerboarded” parcels in this watershed will protect drinking water for the Yakima Valley and preserve critical fish and wildlife habitat while expanding recreation access for the area – popular with hikers, horseback riders, anglers and many others. By transferring these privately owned parcels in to public ownership, we’ll increase management efficiencies and facilitate forest-health treatments to help protect communities from catastrophic wildfire and other climate-change impacts.

Learn about reconnecting the Taneum

The Taneum project wouldn’t be possible without the Great American Outdoors Act, and we’re working hard to secure the substantial LWCF funding needed for this transfer. Meanwhile, we’re also taking time to celebrate the special places across Washington protected by LWCF over the years. Check out the gallery below for a quick virtual trip to a sampling of these treasured spots.

 Hidden Lake’s stillness is due in part to LWCF’s federal grant program, which has helped keep North Cascades National Park whole. Photo by Richard Sheibley, USGS, Public Domain.

Hidden Lake’s stillness is due in part to LWCF’s federal grant program, which has helped keep North Cascades National Park whole. Photo by Richard Sheibley, USGS, Public Domain.

 Migratory snow geese at the Skagit Wildlife Area draw birdwatchers from around the world. This place is protected by LWCF. Photo by Michael McAuliffe.

Migratory snow geese at the Skagit Wildlife Area draw birdwatchers from around the world. This place is protected by LWCF. Photo by Michael McAuliffe.

 Access to the Hoh River in Jefferson County was made possible by LWCF. Photo by Bridget Besaw.

Access to the Hoh River in Jefferson County was made possible by LWCF. Photo by Bridget Besaw.

 Moses Coulee, on the spectacular Columbia Plateau in Douglas County, is protected by LWCF’s federal grant program – and it’s one of The Nature Conservancy’s largest preserves in Washington. Photo by Kit Swartz

Moses Coulee, on the spectacular Columbia Plateau in Douglas County, is protected by LWCF’s federal grant program – and it’s one of The Nature Conservancy’s largest preserves in Washington. Photo by Kit Swartz

 Heybrook Lookout Trail, west of Stevens Pass, is in the Mt. Baker-Snoqualmie National Forest, one of many National Forests protected by LWCF. Photo by Sony Thomas

Heybrook Lookout Trail, west of Stevens Pass, is in the Mt. Baker-Snoqualmie National Forest, one of many National Forests protected by LWCF. Photo by Sony Thomas

 Recreational access to the Skagit Wild & Scenic River is protected by LWCF. Photo by Bridget Besaw.

Recreational access to the Skagit Wild & Scenic River is protected by LWCF. Photo by Bridget Besaw.

 Columnar basalt at Deep Lake in Sun Lakes State Park, Grant County, heaven for geology geeks and boaters of all sorts. Photo by John Marshall.

Columnar basalt at Deep Lake in Sun Lakes State Park, Grant County, heaven for geology geeks and boaters of all sorts. Photo by John Marshall.

 The spectacular Olympic Mountains are headwaters for many salmon-bearing streams and a bucket-list destination for hikers. The Olympic National Forest and Olympic National Park have both benefited from LWCF protection. Photo by John Marshall.

The spectacular Olympic Mountains are headwaters for many salmon-bearing streams and a bucket-list destination for hikers. The Olympic National Forest and Olympic National Park have both benefited from LWCF protection. Photo by John Marshall.

 The San Juan Islands offer world-class recreation, thanks in part to access and protection by LWCF. Photo by Joel Rogers.

The San Juan Islands offer world-class recreation, thanks in part to access and protection by LWCF. Photo by Joel Rogers.

 Recreation on the Puyallup River in Pierce County is accessible to more families thanks to LWCF funding. Photo by Keith Lazelle.

Recreation on the Puyallup River in Pierce County is accessible to more families thanks to LWCF funding. Photo by Keith Lazelle.

 In the North Cascades, campers enjoy the sunset in the Mount Baker – Snoqualmie National Forest in Whatcom County, protected by LWCF. Photo by Jacob Hall

In the North Cascades, campers enjoy the sunset in the Mount Baker – Snoqualmie National Forest in Whatcom County, protected by LWCF. Photo by Jacob Hall

 Lake Cle Elum is in Wenatchee National Forest, Kittitas County, where we’re working to protect acres of forestland along the Pacific Crest Trail with support from LWCF. Photo by Zoe van Duivenbode

Lake Cle Elum is in Wenatchee National Forest, Kittitas County, where we’re working to protect acres of forestland along the Pacific Crest Trail with support from LWCF. Photo by Zoe van Duivenbode

 Willapa National Wildlife Refuge in Pacific County is protected by LWCF’s federal grant program and is adjacent to our Ellsworth Creek Preserve. Photo by Yoav Daniel Bar-Ness

Willapa National Wildlife Refuge in Pacific County is protected by LWCF’s federal grant program and is adjacent to our Ellsworth Creek Preserve. Photo by Yoav Daniel Bar-Ness