Day: December 23, 2021

Last night’s Game Awards saw the premiere of dozens of trailers for titles on the way. So, following the ones highlighted earlier, the remainder has been split up into two sections.

This section deals with newly announced titles. Those include “Sonic Frontiers” which promises ‘high velocity open-zone freedom’ and seems to put the blue hedgehog in a ‘Breath of the Wild’ style arena. There’s also “Nightingale,” the new title from much of the ex-BioWare team.

“Silent Hill” creator Keiichiro Toyama’s new studio Bokeh Game Studio released that studio’s first look at horror title “Slitterhead,” while “Somerville” shows what the co-creator of “Limbo” and “Inside” has been up to.

Sonic Frontiers

Nightingale

Slitterhead

Warhammer: Space Marine 2

Arc Raiders

Lost Ark

Somerville

Tchia

Rumbleverse

Thirsty Suitors

The post Game Trailers: Sonic, Nightingale, Arc, Tchia appeared first on Dark Horizons.

Last night’s Game Awards saw the premiere of dozens of trailers for titles on the way. So, following the ones highlighted earlier, the remainder has been split up into two sections.

This section deals with games previously announced months, sometimes years, ago and offered new trailers last night. Among the highlights are a first look at gameplay from the highly anticipated “Hellblade 2: Senua’s Saga,” to new gameplay from the “Saints Row” reboot, “Homeward 3” and “Forspoken”.

There’s also new trailers for some of next year’s biggest titles in its first half includiung “Elden Ring,” “Horizon: Forbidden West” and “Dying Light 2” along with a VR version of popular mobile game “Among Us”. Finally the PC version of “Final Fantasy 7 Remake Intergrade” has been moved up and will now be hitting the Epic Games store next Thursday.

Elden Ring

Hellblade 2: Senua’s Saga

Dying Light 2

Homeworld 3

Saints Row

The Lord of the Rings: Gollum

Horizon: Forbidden West

A Plague Tale: Requiem

Cuphead: The Delicious Last Course

Forspoken

Evil West

Tiny Tina’s Wonderlands

Planet of Lana: An Off-Earth Odyssey

Babylon’s Fall

Vampire: The Masquerade – Bloodhunt

Among Us VR

Tunic

Metal Hellsinger – Gods of Metal

Steelrising

CrossfireX

Final Fantasy 7 Remake Intergrade: PC Edition

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Warning: contains spoilers for all episodes of The Girl Before, available to stream now on BBC iPlayer.

If you had to place a bet on the more likely murderer between a) a wealthy perfectionist who’s creepily obsessed with controlling women who look exactly like his dead wife, or b) some sadsack everyman who got dumped for being too needy, your money would clearly be on the rich weirdo.

In BBC thriller The Girl Before, architect Edward Monkton played by David Oyelowo is the one who sets off the danger siren. Handsome, moodily intense, wearer of designer suits… with his quasi-contractual sex arrangements and expensive gifts, this modern-day Bluebeard is your classic on-screen danger to women (which is to say, the perfect 1980s romantic film lead). When his tenant/lover Emma dies after falling down the stairs of his chic, minimalist home, of course he was the one who pushed her. Who else would it be? Her mopey ex, Simon?

It was her mopey ex, Simon, played by Ben Hardy. Until the finale, compared to the evident threat posed by Edward in The Girl Before, Simon had set off no alarm signals. He was the dependable one that Emma (played by Jessica Plummer) tossed aside for a sexier and more thrilling option that she’d surely come to regret. Simon would never hurt Emma, he worshipped her. He thought she was perfect.

While Edward’s every move with Emma and her successor Jane (Gugu Mbatha-Raw) in his scarily pristine property screamed ‘NOPE’ – in the JP Delaney-written book, he takes them to a restaurant that serves live seafood. A still-flapping fish and squirming new-born shrimp. I ask you – Simon seemed like the safe option. Emma and Jane’s therapist warned them about the control freak stuck in a cycle of repetition compulsion, but said not a word about the flowers-and-pining guy waiting around for a second chance. All the better for a thriller to surprise an audience with. The Girl Before’s Simon revelation though, is more than just a twist– it’s instructive. It teaches that men who kill women aren’t larger-than-life villains bedecked in red flags. They can be ordinary. They can be nice guys.

In The Girl Before’s finale, Emma and Jane’s timelines play out side by side as Simon is revealed to be Emma’s killer. Abandoned by Edward, traumatised from her sexual assault by Saul and the burglary, and threatened by Ray Nelson and his associates, Emma turned to Simon for support. He’d engineered things to make Emma need him, using a replacement bracelet to enter the house and graffiti it to scare her. He fought off an attack by Ray Nelson in the middle of the night, which he could do because he was the one secretly sleeping in the service cupboard, which he’d dressed to make it look like Emma was hiding from Edward there, scratching the word ‘Help’ into the wall.

As the night of Emma’s death plays out, years later, a pregnant-by-Edward Jane welcomes Simon over for dinner. He brings flowers and talks about how much he loved Emma. He was planning a big flash mob-style proposal. “She would definitely have said yes with all those people watching,” he tells Jane, which rings a that’s-a-weirdly-manipulative-way-to-put-it alarm bell in the viewer’s mind.

That alarm bells prompts viewers to remember Emma telling Simon that she felt trapped in their relationship, that it was suffocating for him to put her on a pedestal. We remember him calling her a supermodel and repeatedly telling her she was perfect. We remember the jokey ‘Best Girlfriend Ever’ mug he unpacked when they moved into One Folgate Street. We remember his response to learning that she’d been raped – insecurity that she hadn’t felt able to tell him rather than concern for her. We remember the fact that he couldn’t perform sexually after he knew about her assault, because the idea of her rapist put him off. And then there were the obsessive phone calls, flowers and refusal to accept her decision on their relationship. And there was Emma telling her therapist that Simon seeing himself as her protective hero started long before the burglary from which he fantasised about rescuing her. And the fact that Simon’s best friend Saul was a rapist. And the ‘test’ Simon set for Emma to prove her loyalty, when he propositioned her by text posing as Edward…

All of those ‘ands’ add up to an insecure character who idealised Emma and didn’t treat her as a person in her own right, only as a perfect prize to boost his ego. When she told him how he felt, he wouldn’t credit it, only telling her she was vulnerable because of her assault. Her mind had been poisoned, said Simon, not entertaining the possibility that she knew what she wanted and it wasn’t him. How different is that really, asks The Girl Before, from Edward Monkton’s obsessive perfectionism and inability to accept that Emma and Jane as people rather than prop-replacements for his dead wife? Simon may not have come with all of Edward’s red flags, but in the end, he was just as dangerous.

Simon’s misogyny erupts in the finale after Jane realises what he is, and runs to hide in the service cupboard. “You’re a good liar, aren’t you? Just like every woman I’ve ever fucking met,” he shouts. “Really, you’re the ones with all the fucking power.” That comment prompts Jane to remember she’s in the room with the server, which Simon had pre-emptively used to turn off the house’s cameras, just as he did on the night he killed Emma. Jane uses the controls against Simon, turning off the lights and blasting Joy Division’s ‘Love Will Tear Us Apart’ (nothing’s too on-the-nose for this high-contrast thriller) to distract him while she tries to escape. As he prepares to burn down the house, she runs out, they fight, she hits him with her pearl necklace and he fallsdown the stairs just like Emma, dying instantly on the ground floor. Poetic justice.

After Simon dies, Jane calls Edward but refuses his suggestion of covering it all up and pretending that Simon killed himself. She wants there to be no more secrets and plans to tell all to the police. Later, Edward takes Jane to a termination clinic, promising that they’ll try for another baby at a better time. She opts out of the procedure and leaves Edward a note and her house security bracelet along with the number of the therapist who knows their whole story so he can get help breaking out of his repetition compulsion. Some time later, Jane’s had their son Toby, and is living happily alone away from Folgate Street, with a new job working for a still-birth charity. Did Edward break his cycle? Judging from the letting agent spiel that ends the series as it began, he did not.  

In the end, Jane kept Emma’s quartz stone – the only of Emma’s possessions to remain in the house and a kind of talisman for both women – resting on the framed footprint of her still-born daughter Isabel, the girl before. Thanks to Jane, Emma’s rapist Saul was arrested, and her true killer was revealed – not the obvious lights-flashing, sirens-whirling villain but the supposedly nice guy who worshipped the ground she walked on, and wouldn’t let her belong to anybody else, least not herself.

The Girl Before is available to stream now on BBC iPlayer.

The post The Girl Before Ending Presents a Vital Truth About Abusers appeared first on Den of Geek.

While the first full year of the Xbox Series X vs. PS5 vs. Nintendo Switch console war was impacted by delays, shortages, and other detrimental factors largely outside of anyone’s control, 2021 ended up being a surprisingly good year for games that still offered an early look at how the battle between the next-gen consoles is going to play out.

Which next-gen console “won” 2021, though? Well, that question is obviously somewhat subjective and largely based on a year that was anything but typical, but as 2021 comes to a close, now certainly seems to be the time to declare the year’s “winner” as best as we’re able.

In order to do that, we’re going to assign each console 1 to 3 points in five different categories (with one point going to the last place console in that category, two points going to the second place console, and a full three points to the first place console). For reference, here’s an overview and explanation of the categories we’ll be using to rate each console:

Sales – How many units of each next-gen console were sold in 2021? This category is based on the most recently published official sales figure as well as the most reliable available estimates. 

Hardware – This category accounts for the advantages (and disadvantages) offered by every piece of hardware in each console’s “family.” 

Services – Points are awarded in this category for the quality of exclusive services offered by each console. Unlike features offered by each piece of hardware, these services are typically optional. 

Exclusive Games – Points are awarded in this category for the quality (and, when appropriate, quantity) of exclusive games released for each console family in 2021. 

The Future – This category is based on what upcoming exclusive games and services each console manufacturer revealed for 2022 and beyond. 

With that out of the way, let’s get started.

Nintendo Switch: 2021 In Review

Sales – 3 Points

While the official sales numbers for every next-gen console are sometimes subject to a reasonable margin of error, there’s very little doubt that the Nintendo Switch dominated the sales year. In fact, some estimates suggest that Nintendo will have sold nearly 20 million Switch units by the end of 2021.

The Switch’s early release date and multiple hardware options certainly give it an advantage in this department, but a look at the console’s lifetime sales strongly suggests it could very well end up being the best-selling of the three next-gen consoles by the time this war is over.

Hardware – 2 Points

While the somewhat underwhelming release of the Switch OLED was one of the year’s biggest controversies, it’s hard to deny that the Switch’s hardware design is still one of the biggest contributors to its incredible success. 

Time will tell if Sony and Microsoft will even try to directly compete with the Switch’s hybrid design, but for the moment, Nintendo has cornered that market with one of the most enjoyable and innovative console designs ever. 

Services – 1 Point

While Nintendo finally decided to add N64 (and Sega Genesis) games to Switch Online this year, the subpar quality of those N64 ports, as well as the premium price required to access a relatively limited library of retro games, means that Nintendo once again didn’t quite get all of what should have been a home run.

It’s true that Nintendo just doesn’t seem to be as interested in digital services as their competitors, but that naturally means that they fall dead last in this particular category. 

Exclusive Games – 1 Point

It actually wasn’t a terrible year for Switch exclusives (Metroid Dread was incredible and New Pokémon Snap, Mario Party Superstars, and Mario Golf: Super Rush were all solid or better), but it’s clear that Nintendo’s reliance on their own properties hit them especially hard in a year when everyone was struggling to get major games out of the door. 

Fortunately, things should only improve for Nintendo from here…

The Future – 2 Points

Few upcoming exclusives can compete with the power of Breath of the Wild 2, but even if that game were to somehow vanish off the face of the Earth, Switch fans still have Splatoon 3, Metroid Prime 4, Pokémon Legends: Arceus, Mario + Rabbids: Sparks Of Hope, Triangle Strategy and more to look forward to in the (hopefully) near future. 

It would have been nice to see some of those games get released this year, but the Switch’s future certainly looks bright.

PlayStation 5: 2021 In Review

Sales – 2 Points

While the PS5 did break the Switch’s sales streak at one point this year, even Sony’s official figures seem to confirm that the Switch will outsell the PS5 in 2021 in terms of total units. The exact numbers aren’t in yet, but it seems like Sony will end up selling around 15 million PS5s by the end of the year (based on existing quarterly reports and Q4 estimates). 

However, it will certainly be interesting to see if the PS5 ends up outselling the Switch in 2022 as additional PlayStation units (hopefully) become available. 

Hardware – 1 Point

While I absolutely love the PS5’s controller, I have to say that I’ve yet to embrace (or honestly even use) so many of the PS5 Control Center features that Sony promoted ahead of the next-gen console’s release. While its also nice that the PS5 offers some native backward compatibility options (something the Switch certainly can’t boast), the limited nature of that system compared to the Xbox Series X, and Sony’s sometimes controversial next-gen upgrade policies, mean that even that hardware feature comes with an asterisk. 

That said, I do suspect that the PS5’s hardware is going to look a lot more appealing in 2022 and beyond as more developers focus on true PS5 exclusives that better utilize the console’s power. 

Services – 2 Points

PlayStation Now gives the PS5 an advantage over the Switch in this area, and the free monthly games you get with PlayStation Plus are certainly comparable to those offered by other services. 

However, no Sony gaming service can match the value of Game Pass and everything that Microsoft has built around that service. We’ll see if that changes in 2022 as the PlayStation team reportedly prepares to debut an expanded subscription service. 

Exclusive Games – 2 Points

While I previously speculated that the PS5’s 2021 exclusives would be better than the Xbox Series X’s exclusives, that was before Ghostwire and Horizon Forbidden West were delayed to 2022. Those delays changed the dynamic just a bit. 

Still, Returnal, Deathloop, and Ratchet And Clank: Rift Apart ended up being GOTY quality exclusives, and smaller titles like Kena: Bridge of Spirits and Stray helped fill out the PS5’s exclusive lineup. 

The Future – 3 Points

God of War Ragnarok should be on any shortlist of the most anticipated upcoming exclusives, but it’s really the potential of major upcoming PS5 games like Final Fantasy XVI, the KOTOR remake, Marvel’s Wolverine, Gran Turismo 7, Forbidden West, Ghostwire Tokyo, and Marvel’s Spider-Man 2 that gives Sony the advantage in this crucial category. 

Even if the PlayStation team doesn’t debut that rumored new game streaming service next year, it’s about to be a very good time to be a PS5 owner. 

Xbox Series X/S: 2021 In Review

Sales – 1 Point

Microsoft is notoriously private when it comes to releasing exact Xbox hardware sales figures, but even the most generous estimates suggest that the Xbox Series X/S will finish in third for the year in terms of next-gen unit sales. I’d guess that the PS5 will outsell the Series X in 2021 by about 5-6 million units, but that’s honestly an educated guess based on rough estimates. 

Still, a late-in-the-year sales surge for the Xbox Series X/S means that Microsoft is heading into 2022 with a lot of momentum. 

Hardware – 3 Points

There may come a day when the PS5’s advanced SSD helps it pull ahead of the Xbox Series X in terms of power, but in a year when true next-gen exclusives were few and far between, it was the Series X’s quality of life and consumer-friendly features that set it apart.

Xbox’s “Quick Resume” feature is generally more useful than anything offered by the PS5’s Control Center, and the console’s backward compatibility programs are strictly better than any similar services offered by other consoles. The Series S is also arguably the nicest “budget” next-gen console option out there.

Services – 3 Points

This particular conversation begins and ends with Game Pass. Microsoft took a big risk when they decided to bet a large part of their future on a gaming subscription service, but every year since Game Pass’ debut reminds us how valuable it is. 

Throw in some amazing cloud gaming progams that are seemingly destined to quite literally change the game, and this ended up being the easiest category to call in Xbox’s favor.

Exclusive Games – 3 Points

To be perfectly honest, I didn’t expect Halo Infinite to be nearly as good as it ended up being. However, that game and Forza Horizon 5 ultimately gave Xbox the exclusive heavy hitters they’ve been missing in recent years. 

While the PS5 still ended up delivering one more “can’t miss” major exclusive this year, Xbox’s two big guns were well-supported by noteworthy smaller titles like Twelve Minutes, The Gunk, The Artful Escape, The Ascent, Microsoft Flight Simulator, Sable, and more. This was a tough category to call, but the quantity of Xbox’s quality exclusives ultimately gave it a slight (and surprising) edge. 

The Future – 1 Point

Microsoft may have narrowly won the exclusives race this year, but it’s important to remember that they still don’t typically emphasize exclusives in the same way that Sony and Nintendo do. So, while Starfield should be one of 2022’s biggest games, questions that remain about the state of some of Xbox’s other noteworthy upcoming exclusives (such as Fable 4, Perfect Dark, Redfall, and Senua’s Saga: Hellblade II) force me to give the edge to Sony and Nintendo in this department. On paper, they seem to have more “sure thing” big hits in their arsenal.

The Xbox team could easily turn the tide by confirming some additional Bethesda exclusives, acquiring more studios, revealing more games, or expanding Game Pass, but at the moment, they’re the one console manufacturer I have the most questions about when trying to answer the bigger question, “What’s next?”

PS5 vs. Xbox Series X/S vs. Nintendo Switch – Who Won 2021?

Third Place: Nintendo Switch – 9 Points

Even in a “slow” year, the Nintendo Switch dominated the sales charts and proved its staying power. It should be all good news for Nintendo from here. 

Second Place: PLayStation 5 – 10 Points

The PlayStation team may have gotten bit by some delays and other circumstances beyond their control, but there’s very little doubt that the PS5 will soon become a worthy successor to the PS4. 

First Place: Xbox Series X/S – 11 Points

The Xbox team’s emphasis on subscription services, quality-of-life features, and backward compatibility felt more valuable than ever this year, while the Xbox Series X/S’s lineup was bolstered by a rare influx of must-have exclusives. It was Xbox’s best year in years.

The post PS5 vs. Xbox Series X/S vs. Nintendo Switch – Which Console Won 2021? appeared first on Den of Geek.

This article contains SPIDER-MAN: NO WAY HOME spoilers.

“Peter, I promise you, I won’t turn into a supervillain and try to kill you.”

That Spider-Man: No Way Home line by Peter Parker’s pal, Ned Leeds, was a red flag waved to comic-savvy moviegoers about the character’s potentially villainous future as the Hobgoblin. However, it bolsters an idea that has become comics’ equivalent of the Mandela Effect, falsely implying that Ned Leeds was the real Hobgoblin. Yet, the character’s complicated comic history seems destined to inspire consequential connections for Ned in Spider-Man 4, which is already confirmed to be the first of a new movie trilogy for Tom Holland’s Wall-Crawler.

Ned Leeds was a surprise MVP amongst the multiverse chaos of Spider-Man: No Way Home; a testament to the character’s heartfelt, ultimately-crucial actions and actor Jacob Batalon’s ability to steal every scene in which he appeared with a subtle earnestness. Consequently, the notion of Ned being set on a new arc toward glider-riding supervillaindom seems excessively sad for a franchise that’s currently teeming with tragedy. Yet, while the character—an amalgam with Miles Morales Spidey’s best pal, Ganke Lee—is hardly a facsimile of his Hobgoblin-mired Daily Bugle field reporter comic counterpart, he’s still named Ned Leeds, which lends potency to his cheeky supervillain quote. While there’s no guarantee that the angle will bear any fruit in Spider-Man 4, here’s how it could happen.

Spider-Man 4 should draw inspiration from what initially gave gravity to the Hobgoblin during the villain’s introductory run, which started in Marvel’s March-1983-dated issue, The Amazing Spider-Man #238, and kicked off a prolonged mystery of the villain’s identity that thrust readers into years of obsessive speculation. Indeed, after Marvel Spidey’s iconic nemesis, Norman Osborn/Green Goblin, famously “died” in 1973, a decade’s worth of new iterations arrived of the cackling, green-and-purple-clad pumpkin-bomber, which included traumatized son Harry Osborn, and even Harry’s prying therapist, Bart Hamilton, briefly took on the mantle. Yet, Hobgoblin represented a new twist on a tired trope, and readers, despite not knowing his identity, experienced all the highs and humiliating lows of his arc, which saw the mystery man—as a silhouetted figure—in his process of finding Osborn’s legacy items, on a quest for power. Thus, with No Way Home having checked Green Goblin off the list in the Marvel Cinematic Universe, there’s room now for a flashier, orange-suited successor.  

Contextually, the mystery of the Hobgoblin’s identity was the fixation of comic readers for much of the 1980s, thanks to the villain’s escalating impact, and years of frustrating moments in which Spidey seemingly unmasked him, only to have it turn out to be an imposter working for the ever-elusive genuine article. This aspect differentiated Hobgoblin (or, as Spidey nicknamed him, Hobby,) from his verdant predecessor. While Green Goblin was driven by a schizophrenic madness that distorted Norman’s personal life, Hobgoblin was more of a chess player, and even devised a version of the super-strength-endowing Goblin Formula that, unlike Norman’s, didn’t drive him into madness. Moreover, his increasingly-elaborate machinations had the clear-cut purpose of ruling the underworld, which not only made him an enemy of Spider-Man, but New York’s other criminal elements, most notably the Kingpin. Thus, with Vincent D’Onofrio’s Daredevil television version of Kingpin now christened in the MCU, thanks to Hawkeye, we have the potential for a big screen battle royal inspired by Hobgoblin’s covetous, no-honor-among-thieves nature.

Historically, Ned Leeds was long-believed to be the Hobgoblin, thanks to 1987’s monumental The Amazing Spider-Man #289. There, we were led to believe that Ned’s apparent secret Hobgoblin hijinks led to grave consequences, since the issue revealed his supposed identity as the villain, albeit only after Spidey found him dead dressed in the Hobgoblin’s costume, garroted by assassins connected to the casino mogul gangster, Foreigner. This grim development had essentially wrapped the decade’s most dominant comic book mystery and sealed the widespread belief that Ned was the Hobgoblin—after all, it remained canon for a decade. Thus, in a testament to the enduring power of that issue, the notion of Ned as Hobgoblin still lingers to this day. However, it was actually retconned in 1997 by writer Roger Stern—who co-created the character with artist John Romita Jr.—for a new storyline that reversed the Ned/death twist, which occurred after he’d exited Marvel.

The belated 1997 storyline, collectively called Spider-Man: Hobgoblin Lives, revealed the true Hobgoblin to be Roderick Kingsley, a minor character introduced in the pages of Peter Parker, the Spectacular Spider-Man back in 1980, whose status as a vain and ruthless fashion mogul made him the perfect candidate in hindsight. Here, we’d learn that Kingsley used brainwashing on Ned—who was caught investigating the villain—to act as a Hobgoblin double, one who would unwittingly become a death-faking patsy, allowing Kingsley a safe early retirement after 1987’s “Gang War” storyline saw Hobgoblin targeted by criminal elites. We’d also learn that Roderick’s rapacious pursuits were effectively obscured by using his twin brother, Daniel, as an alibi during his Hobgoblin exploits. Of course, many other individuals would don the Hobgoblin’s costume in the ensuing years, notably Jason Macendale, the former Jack O’Lantern, whose own Hobgoblin run would experience a unique arc, including spending years joined with the demon N’astirh, only to be killed by a resurfaced Kingsley.

However, as we know, the most crucial element in a Hobgoblin mystery is his identity, and, should Spider-Man 4 move forward with the villain, it would have to be a profound choice. With No Way Home having ended with Ned (and the entire world) losing any memories of Peter Parker, his character has essentially been reset, which could enable an arc that aligns more closely with the comics, even if he’ll be an MIT student instead of a Daily Bugle reporter. Yet, Ned aside, another possible candidate for Spider-Man 4’s Hobgoblin is Tony Revolori’s Flash Thompson, whose arc of obsession over Spider-Man—which metastasized to jealousy after the Peter Parker reveal—only escalated in No Way Home, especially with his self-absorbed Spidey-connecting book, “Flashpoint” (a title inconspicuously shared with DC Comics’ multiverse-breaking story of the same name). Poetically, Flash’s more-athletic comic counterpart was touted as a potential Hobgoblin candidate during the days of the initial mystery, and was a frequently-evoked red herring.  

Interestingly, the power of the retcon recently provided yet another twist on the Ned/Hobgoblin dynamic in the pages of Marvel’s Symbiote Spider-Man: Alien Reality, a title that showcases untold stories from the 1980s era in which Spidey wore the alien symbiote costume. Indeed, in a storyline that—prescient to No Way Home—involved Doctor Strange and the careless magical twisting of reality, we would learn that Kingsley’s brainwashing actually led Ned to occasionally believe he was the genuine Hobgoblin. Thus, the manipulated Ned/Hobgoblin embarked on a quest for power that saw him team with Strange’s nemesis, Baron Mordo, to steal a magic book, called the Word of God, to create a reality in which Mordo is Sorceror Supreme, and Ned/Hobgoblin is his apprentice; a prescient idea in its own right, given how magically-adept MCU Ned became in No Way Home. In fact, the idea of Ned’s death itself would eventually fall within the purview of another comic retcon, only for him to die again, this time in a noble sacrificial manner.