Chris Ruben Looks Back on a Year of Limited Shows and a Fiery Full-length Album

BY NICHOLAS GRASSO

ALL PHOTOGRAPHS BY NICHOLAS GRASSO

Chris Ruben wants to break free.

Like anyone left sane following the COVID-19 pandemic, the Long Island rocker wants to break out of the same old scenery. But his desire is not simply about a change of pace. He aims to share his new music with fresh audiences.

“I want to try and get out of the state and into new areas,” Ruben said. “We’re really just stuck here, so we’re starting to play some more shows. Get out of the county, out of the state, that’s kind of the plan.”

Ruben’s restlessness is well justified. The Chris Ruben Band released “Madness on Repeat,” their first full-length album, earlier this past April. Anyone who listened to the album, or better yet, was lucky enough to see them live this past year, understands they have the goods and are ready to hit the road.

“The album is 11 songs, it took about two-and-a-half years to make,” Ruben said. “I’ve been writing music for a really long time, and that album is kind of the culmination of some of the earlier songs that I was writing and a couple of the songs were fresher at the time of the recording of the record. It was a real jumble of our catalog as far as it wasnt all written at once.”

Despite the lively tone of the album’s bright guitars, swirling keyboards and grooving rhythm section, lyrically, “Madness on Repeat” trudges through dark territory.

“The older songs, I was definitely in a dark place in my life,” Ruben said. “I was questioning God, I was doing drugs and I really feel like that album being called ‘Madness on Repeat,’ we set it so that it loops. The last song will go right back into the first song and it’s because the story that the record tells, the feelings behind it are so lost and very eager to find a direction. All my life I felt like this is what I was supposed to do, but like nothing at all pointed in that direction. There was almost no way. It was a bit of desperation, a bit of madness, insanity, you know, trying to do the same things over and over again and expecting something different to happen. I was in a really long seven year relationship around the time the band formed and started making the album and then it ended. Some of the feelings in a lot of the songs are just knowing that I was with the wrong person and not really feeling like I could do anything about it but I did it to myself. I’m a mess of a man.”

Feelings of a desperate man floating unmoored through life’s icy waters protrude through the funk-powered “Unsure” and upbeat bop “Prayer for Sadness.”

Electric leads give way to inner turmoil on “Stomach Coil” while “Starfish” unpacks soured love and explores a depressive low. 

In an intimate setting like the Loading Dock at the back of the Patchogue Theater, where the Chris Ruben Band played on November 18, the band packs a wallop. Breezy album tracks like “Cold Shoulder” and “Tell Me Why” take on new life when performed across a huddle of fans. 

Cheers rival the PA system whenever Ruben whips his head around or drops to his knees for a solo. Bassist Brendan Allan drives “Live Meltdown,” and drummer Russ Miller brings off-beat hi-hat flare to “Darling.” All the while, Nick Marino hammers away at his cream-colored Telecaster and Eugene Iovine adds atmosphere with his keyboard, as does his brother Frank Iovine when he’s not wailing on a saxophone.

The Chris Ruben Band does not have any more scheduled performances for the rest of this year, but hungry fans may not have to wait too long for new music.

“We have a four-track EP that we just finished that will probably come out around March,” Ruben said. “But we have all the music that was written between last year and this year for another full-length album that we probably will start recording sometime next year. We’re not trying to record it and push it and release things too fast.”

Nightshift x KAKI Hook Us In with the Pulsing Pop Ballad “Deja Vu”

It can be a challenge to stand out in the crowded sea of pop hooks these days. Yet, “Deja Vu” manages to do just that in its glimmering trade-offs and aching core.

A smooth testament to the human element, “Deja Vu” catalogues the emotive movements of a couple, post-breakup, traveling through the world and away from each other. That is, with the caveat, that one another are still the main occupants of the other’s respective mind. Described as a song that “speaks to the internal power struggle between falling back into comfortable memories, and the desire to stop thinking about those and move on,” the song’s structure follows some of the established norms of modern electro-pop. Often reserved for more conventional love songs, “Deja Vu”‘s pulsing production offers a subversion of the norm- illustrating the same feelings of affection and tenderness in retrospect, now doused in the pain of ending.

“I don’t want to hang on to making love to Deja Vu” is the aforementioned hook, propelling passion between each verse, and seemingly determined to get stuck in one’s head. It is a crystallization of the song’s overarching triumphs- a glossy, concise, and imaginative illustration of a rather complex feeling. Where, as mentioned above, many pop songs reserve themselves for the conventions of love, “Deja Vu” explores its entanglements without straying from that central premise. After all, better to have loved and lost than never to have loved at all. “Deja Vu” is out today and streaming everywhere. Don’t forget to check it out.~

YouTube: https://www.youtube.com/watch?v=5UlLbnGx10Q

Spotify: https://open.spotify.com/track/5A1Y5CajuyhLwrd1DqbTM0

Review by Bobby Guard

Instagram: https://www.instagram.com/realbobbyguard

Dancing In the Void of Longing: Mouth Sounds’ “Lately” Grooves with Its Depths

Disco grooves, steel drums, and shimmering synths wash out the bad vibes in the newest single from the bedroom pop musician’s upcoming EP.

Existential dread fills the corners of “Lately,” an infectious pop outing from Mouthsounds, the solo outfit of Daniel Howie, former frontperson of Sugar Glyder. The loss of innocence, fall of government, and an all-around paranoia fill his lyrics throughout each verse, contrasting the largely smooth and appealing production of the track itself.

“I have a lot of creative guilt about surviving and thriving the last 1.5 years – Lately, I’m grateful, happy, and more focused than ever on the things that matter most. Releasing this single as a precursor to the next EP (already written) – that will continue to explore the creative space modern life has afforded.” – Daniel Howie

Indeed, the 90s club throwback essence of “Lately” calls to mind an altogether different end of an era, now seeded into the inevitable appropriation of style in our modern culture- the aesthetics and sounds of that seemingly more innocent time are utilized in our modern age both in reverence and escapism. With “Lately,” they tap into an uncanny valley of sorts, underlying the regret and longing in the hook’s “It’s not my fault” both tonally and sonically, catapulting the listener into familiar territory that doesn’t quite feel the same. The vocal processing throughout the verses aptly distorts Mouth Sounds’ voice into a Ween-like garble, but his beautiful, Erasure-like vocal range comes to play in force when the chorus kicks in. “Lately” is an absolute pleasure of a track, full of depth and mood, and succeeds heartily in its ambitions. Before the EP comes out in 2022, you can listen to “Lately” wherever you stream music!

SoundCloud: https://soundcloud.com/mouth-sounds/lately-i-think-i-could-get-used-to-this/s-pAIz2lWDxkq

Spotify: https://open.spotify.com/track/1E3dWDIlrlP9vXksnsKQ6H

Review By Bobby Guard

Instagram: https://www.instagram.com/realbobbyguard

Adventureland – Blankets

With a name like that we’d be expecting fireworks and while ‘Blankets’ is more a slow burner it does have a lasting effect. To a degree in fact that I needed to return a couple of times to get the full haul of those lingering harmonies. And on closer inspection there is some longevity to the piece, it is an even spread of delights rather than periodic highlights. This Arkansas trio reminded me of Frightened Rabbit, right down to that slow bit of quaintish unfurl at the end. KH




Fresh Indie 2021mp3hugger’s best new music in 2021 playlist!


More Info: Official
Hear More Songs: Adventureland
Year: 2021

Party of the Sun – Under It

Such precise finger picking, a grand reflection of the age old tradition that is folk and with a singer (Ethan McBrien) who does his own thing Party of the Sun become that kind of elegant of propositions, and probably elegantly wasted while they are at it. I probably needed a glass or two more to fully grasp their eclectic style, so I did, but there is a melodic side to their off-kilterism that kept us coming back for more. So once I was a little woozy myself ‘Under It’ meant I could never be over it, instead we laid there and took in its sunshine rays and felt really good about ourselves in the process. Sweet as can be from this New Hampshire trio who have been releasing a single a month all year. KH




Fresh Indie 2021mp3hugger’s best new music in 2021 playlist!


More Info: Official
Hear More Songs: Party of the Sun/a>
Year: 2021