Monsters Inside: The 24 Faces of Billy Milligan Director Asks: ‘What About the Victims?’

Netflix’s Monsters Inside: The 24 Faces of Billy Milligan follows the story of a Billy Miligan, a man charged with sexually assaulting four women on the Ohio State University campus in the late 1970s. Milligan gained wide attention because his lawyers argued that he suffered from multiple personality disorder, and he was subsequently ruled not guilty by reason of insanity.

Olivier Megaton, the director of the four-part docuseries, says he set out not just to tell Milligan’s story, but to honor the victims whose stories were overshadowed by Milligan’s very unusual legal defense.

“I didn’t want to begin the series with his life being a kid,” Megaton, whose credits include Columbiana and Taken 2, told MovieMaker. “I decided to begin with the rapes just to have the audience keeping in mind that he raped, from what we know, four girls in 10 days.”

He added: “I wanted to talk about his social and his trauma condition and so on for sure, but at the very beginning, I just wanted to have everybody thinking, ‘What about the victims?’”

He said that Milligan didn’t seem to regret his crimes, because in Milligan’s mind, he didn’t commit them — one of his alternate personalities did. What was called multiple personality disorder in the late 1970s is now more commonly known as dissociative identity disorder.

Milligan died of cancer in 2014, but appears through extensive interview footage. Doctors treating Milligan concluded that Milligan’s frequent switching between accents and personalities meant that he was not in control at the time of the attacks. He said he had 24 personalities in all.  Milligan explains in the Monsters Inside footage that when one of his many alters would come forward, his true self would go to sleep.

Also Read: St. Vincent Pokes Fun at Her Own Ego in The Nowhere Inn

After being ruled not guilty, Milligan spent a decade in mental institutions, where he underwent extensive psychiatric treatment designed to fuse all his personalities into one. During this time, author Daniel Keyes wrote a best-selling book called The Minds of Billy Milligan. At one point, James Cameron considered making a movie about him, but the project fell through.

The docuseries explains that Milligan says he suffered severe abuse at the hands of his stepfather, Chalmer Milligan. The doctors who treated Billy Milligan say he formed the alternate personalities to cope.

Chalmer Milligan, who died in 1988, denied that he ever abused his children, though friends of the Milligan children who are interviewed in the docuseries say they witnessed the abuse.

Megaton said the production was only able to find contact information for two of Milligan’s victims, and that neither  responded to requests to be interviewed for Monsters Inside.

“The thing is that it’s very hard to try to reach people with that kind of experience 20 or 40 years after,” Megaton said. “I couldn’t imagine saying on the phone, ‘Are you the woman that was raped by Billy Milligan forty years ago?’”

Megaton wanted to make it clear that although Milligan may deserve some sympathy for the abuse he experienced as a child, he is not the victim of this story.

“During the fourth episode, we needed to be… aware about him not being the victim of all this,” Megaton said. “For sure he was a victim, for sure we needed to have empathy about it, but the thing is that he committed a couple of crimes.”

Milligan’s sister, Kathy, was adamant that no mental illness should excuse her brother’s crimes.

“The interesting thing is that his sister, the first time we met, the first thing that she told me was that she was caring about the victims all the time, every day,” Megaton said.

Megaton says he hopes Milligan’s case highlights the effects of child abuse on a person’s mental health.

“The origin of all this is about — what did he live when he was a young boy? And this is the problem,” Megaton said. “He was not the victim of his own personality, he was the victim of his trauma.”

If you or someone you know has experienced sexual assault, RAINN’s free and confidential National Sexual Assault Hotline is available to call 24 hours a day at 800-656-4673.

Monsters Inside: The 24 Faces of Billy Milligan begins streaming on Netflix Sept. 22.

Main Image: Billy Milligan, courtesy of Netflix.

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Tennis Star Mardy Fish Inspired Untold With His Openness About Mental Health

Retired professional tennis player Mardy Fish’s battle with mental health on and off the court is at the heart of the fifth and final episode of Chapman and Maclain Way’s Untold sports documentary series, Untold: Breaking Point.

In 2015, Fish penned a personal essay in the Player’s Tribune called The Weight, which detailed his experience with the anxiety attacks that lead to him withdrawing from a match against famed Swiss tennis icon Roger Federer at the 2012 U.S. Open. It was that very story that Fish says inspired the Way brothers to reach out to him — they were already acquainted through a mutual friend, fellow pro tennis player Sam Querrey — about making a documentary on his story. From there, the rest of the Untold series was born. And in Untold: Breaking Point, Fish opens up more than he ever has before.

The reason Fish speaks so openly about his struggle with anxiety, he says, is because it makes him feel better.

“It made me feel better when I talked about it. Even if I was just sitting here with you around a coffee and we just started talking about mental health, I would feel better about how I was feeling in that moment,” Fish told MovieMaker. “So part of it was to try and educate, part of it was to try and give someone a success story of being able to really hit rock bottom with mental health and come back. And not only come back, but come back to the place that took it all away from me.”

Also Read: Rick James and Neil Young’s Band: The Sad Story of the Mynah Birds (Video)

After bowing out of the Winston-Salem Open in 2013, Fish didn’t return to tennis again until 2015, according to ESPN. He retired that same year, ending his prestigious career at the U.S. Open. Today, he’s the captain of the U.S. Davis Cup team, a high honor in the world of tennis. And he’s highly qualified for the job — Fish knows as well as anyone that although tennis isn’t as physically taxing as sports like football or mixed martial arts, the pressure of being a one-man team takes an invisible mental toll.

Mardy Fish Untold Breaking Point

(L-R) Rafael Nadal and Mardy Fish, courtesy of Netflix

“I’m a male athlete from a noncontact sport, but a pretty gladiator-ish sport where when you leave the locker room, we’re all by ourselves. We have to figure out how to beat that person across the net and we don’t have any help doing it,” he said. “We’re out there all by ourselves in front of thousands of people in attendance.”

He attributes a strong support system to his ability to come back to the sport after walking away at the height of his career.

“It had taken months in 2012 in the summer to understand what was going on,” he said. “Having a support system, or a good support system or a solid foundation is so important in mental health… Just learning from every episode, learning from every situation, and growing from that is part of the main reason why I was able to sort of beat it and still continue to fight it and beat it on a daily basis.”

Nearly a decade has gone by since Fish walked away from Roger Federer in 2012. Now, he has some advice for young athletes — or anyone at all — who is struggling with their mental health.

“If you’re having those thoughts, those issues, panic, anxiety, depression, anything like that, there are ways to get around it,” Fish says. “There are ways to beat it. Getting a great doctor… having a support system in place to where you can be vulnerable and you can really tell people what you think and what you’re feeling and be open about it. That’s the most important thing.”

Untold: Breaking Point is out today on Netflix.

Main Image: Mardy Fish pictured in Untold: Breaking Point courtesy of Netflix.

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Shang-Chi Outperforms; R.I.P. Michael K. Williams and Jean-Paul Belmondo

R.I.P. Michael K. Williams and Jean-Paul Belmondo; Shang-Chi and the Legend of the Ten Rings blows away a Labor Day Record; Star Wars and Jurassic Park stop-motion mastermind Phil Tippett directs his own film, Mad God. All in today’s Movie News Rundown.

Congratulations Shang-Chi: The first Marvel superhero film with an Asian lead actor — Simu Liu — blew away the previous record for Labor Day weekend, earning $90 million over four-days. That’s roughly twice what it was projected to pull in. (Expectations were cautious in part becuase of COVID-19 fears.) The three-day opening of $75.5 million for Shang Chi was the second-biggest since the start of the pandemic, behind only Black Widow, which opened to $80 million in July, Variety noted.

R.I.P Michael K. Williams:  The magnificent actor, best known for playing Omar Little on The Wire, was found dead yesterday in his New York apartment. He was 54. Williams was nominated for an Emmy three times for acting, for roles in When They See Us, Bessie, and The Night Of, and is currently up for outstanding supporting actor in a drama series for Lovecraft Country. Before his breakthrough in The Wire, he was also a guest on shows including The Sopranos. I especially liked him on Boardwalk Empire, where he played Chalky White, leader of a Black crime syndicate trying to flourish during Prohibition, and had the honor of interviewing him about the show in 2013. He was friendly, funny, relaxed, charming, and very obviously adored by his cast mates. He wryly explained what it means when a show is “making multiples.”

Obama’s Favorite Character: The Associated Press said that his death was being investigated as a possible drug overdose. Williams talked honestly about his struggles with drugs over the years, but had a moment of clarity in 2008 while attending a campaign rally for Barack Obama in 2008 with his mother. From the stage, Obama said The Wire was the best show on television — and that Omar was his favorite character. “Hearing my name come out of his mouth woke me up,” Williams later told The New York Times. “I realized that my work could actually make a difference.”

R.I.P. Jean-Paul Belmondo: The star of Breathless and Pierrot le Fou, among other films, has died at 88. The Guardian‘s Peter Bradshaw wrote a gorgeous appreciation, which includes this description of Belmondo’s final scene in Breathless: “Defying agony from his bullet wounds, he just clownishly stretches his face into the two silly expressions he’d earlier used to explain the phrase “faire la tête”: a goofy silent scream, then a panto grin. Isn’t this what acting is, what life is: tragedy, comedy, faces, speeches? Who cares?”

Phil Tippet’s Mad God: Phil Tippet, a visual effects mastermind whose creations include Jabba the Hutt and the AT-ATs from the original Star Wars trilogy — and who won an Oscar for bringing dinosaurs to cinematic life in Jurassic Park — has always wanted to write and direct his own feature film. And now, at 69, he has. Mad God features stunning stop-motion creations he first began developing in 1987. Thanks to a very successful Kickstarter campaign and lots of help from Tippet’s loyal animators, Mad God is now playing festivals — including, last month, the Locarno Film Festival and Fantasia Festival. It makes its U.S. debut at Fantastic Fest later this month. Here is the trailer:

Main image: Michael K. Williams as Chalky White in Boardwalk Empire.

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Notable Hollywood Deaths of 2021, From Michael K. Williams to Ed Asner

The movies that leave the deepest impressions on us would be nothing without the people who made and starred in them. From Cicely Tyson, the star from Sounder, Fried Green Tomatoes, and many more classic films and television shows to Christopher Plummer, forever beloved for his role as Captain Von Trapp in The Sound of Music, here is MovieMaker‘s list of people from the motion picture industry who have died in 2021.

Michael K Williams

Michael K. Williams, pictured in HBO and The Atlantic’s Question Your Answers series.

Michael K. Williams

Best-known for playing Omar Little on The Wire, Chalky White on Boardwalk Empire, Moussa in Assassin’s Creed and Robert in 12 Years a Slave, Williams was found dead in his New York apartment on Sept. 6, according to Variety. He was nominated for an Emmy three times for acting, for roles in When They See Us, Bessie, and The Night Of, and is currently in contention for outstanding supporting actor in a drama series for his role as Montrose Freeman in HBO’s Lovecraft Country. He was also nominated for his work as a producer on Vice. He talked honestly about his struggles with drugs, but said he had a moment of clarity in 2008 when Barack Obama declared, at a presidential campaign rally that Williams attended with his mother, that The Wire was the best show on television — and that Omar was his favorite character. “Hearing my name come out of his mouth woke me up,” Williams later told The New York Times. “I realized that my work could actually make a difference.”

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Another Sopranos Prequel?; Send Us Your Good Trailers; Rick James Stories

David Chase on what it would take to get him to make another Sopranos prequel after The Many Saints of Newark; we’d love to share good trailers of the films you’re working on, and behind-the-scenes photos, too; a pair of bonkers Rick James stories. All in today’s Movie News Rundown.

But First: Here are interviews with some of the filmmakers featured in a recent celebration of Indigenous cinema hosted by our friends at New Filmmakers Los Angeles.

Meet Michael… and Robert: Director Michael Haussman wrote this very amusing piece for us about shooting his film Edge of the World in a jungle in Borneo that included crocodile-filled waters. Edge of the World stars Jonathan Rhys Meyers as James Brooke, the 1840s figure who inspired The Man Who Would be King, Heart of Darkness and Lord Jim. Michael adopted second on-set name, Robert, for reason we’ll let him explain.

Rick James: Has anyone watched Showtime’s Bitchin’: The Sound and Fury of Rick James? I went very deep on two of the stories it includes: The time Rick James was in a band with Neil Young, and the time Rick James narrowly avoided being at 10500 Cielo Drive on the night of Aug. 9, 1969.

David Chase: Deadline has a terrific, long interview with Chase, creator of The Sopranos and co-writer of the excellent new prequel, The Many Saints of Newark. I would recommend not reading it unless you’re okay with some Many Saints of Newark spoilers. Chase also says he would consider making another prequel film if he could write it with Terence Winter, a veteran of The Sopranos, the creator of Boardwalk Empire, and the writer of The Wolf of Wall Street.

Also: Add David Chase to the list of filmmakers (including Dune director Denis Villeneuve) who are very unhappy about their films being released simultaneously in theaters and on HBO Max. Chase says he’s “extremely angry” about the situation and might never have made The Many Saints of Newark if he knew that would happen.

Many Saints of Newark Release Date: The film, directed by Alan Taylor, will be out on Oct. 1. As a big Sopranos fan, I love it. I’m sure David Chase would appreciate it if you’d see it in a theater, if you feel safe doing so.

Not Pandering: I finally watched The White Lotus and read this Vulture interview with the show’s creator, the wonderful Mike White. He responds to questions about why the show didn’t dish out retribution on some of its awful, entitled characters, and says something about pandering that I really appreciate: “I feel like I could create characters that fit some people’s political and cultural agenda and probably my own. That would be pandering. The point of art is to reflect something that feels true and conflicted.”

Good Trailer: Did you know you can DM things you’re working on, and, whenever possible, we’ll share them? Such is the case with Robbie Banfitch, who directed the very scary, very well-done trailer for his film The Outwaters. Have a look and let’s meet back below.

About Robbie Banfitch: “I’m Robbie Banfitch, the writer/director/editor and a graduate of the School of Visual Arts in Manhattan,” he writes. “I’ve spent the past nine years of my life working for the environmental organization Greenpeace and the past five years of my life making three feature-length films.  The first of those (The Outwaters) is ready to leave the nest. It’s a naturalistic, slow-burn story about a group of travelers who encounter menacing phenomena while camping in a remote stretch of the Mojave Desert. … the goal is to scare, and do so artfully.” The film is currently submitting to festivals. (Hey Robbie, this list may help!) You can learn more about Robbie Banfitch and The Outwaters on this Film Freeway page.

Send Us Your Good Trailers: You can always send us your good trailers, and a little about yourself and your film, to info@moviemaker.com. You can also DM us @moviemakermag. We also love behind-the-scenes photos, and are happy to share them on Instagram. We obviously can’t share everything, but we’ll do our absolute best to highlight standout work.

Comment of the Day Revisited: Recent comment of the day-er Todd Schoenberger noted his annoyance with the trailer trope of “high-pitched ringing to signify disorientation.” I just want to note that The Outwaters avoids this trope, while effectively using a lot of sounds very effectively, including: wind beating on… something (right at the beginning), a hard-to-place hiss or gasp (0:07), errant… guitar? (:14) and whatever that scary thing is going on at the 18-second mark. The subtlety of all these sounds immediately pulled me in and signaled that the people behind this trailer know what they’re doing. This level of care inspires confidence that they aren’t going to waste our valuable viewing time.

Main image: Michael Gandolfini and Alessandro Nivola in the Sopranos prequel The Many Saints of Newark. 

 

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